Leaving employment in Canberra
London and master in economics
Starting at Chelsea School of Art
Early interest in abstract painting
Abstraction, representation and concrete art
Abstraction as a response to the real world
The significance of the return to Cyprus
Number systems generating imagery
Anstraction and relationship to music
Gaps between images as silences
Renaissance painting qualities
De Stijl, Malevich, Mondrian and Picasso
Becoming intimate with a painting